Sync Licensing in the Digital Age: Should Music Usage in Influencer Campaigns be Accounted as Sync Placements?
by idkblanco | 6 min read
The digital age has revolutionised marketing, with social
media influencers now pivotal in brand campaigns. These influencers often
incorporate music to enhance their content, blurring the lines between creative
expression and commercial promotion. Yet, as local influencers and brands
increasingly harness music to fuel viral campaigns, a critical question arises:
Should music used in paid influencer campaigns be classified as synchronisation
(sync) placements, ensuring artists are fairly compensated? In a country where
creativity thrives but systemic inequities persist, the line between “exposure”
and exploitation is dangerously blurred. This article explores the ethical,
legal, and economic dimensions of this subject, arguing that influencer-branded
content demands the same licensing rigour as traditional media to uphold
artists’ rights in the evolving digital economy.
The Case for Sync Licensing in Influencer
Campaigns
Commercial Intent and Parallels to Traditional
Media
Influencer campaigns are inherently commercial. Brands
invest in influencers to promote products, mirroring traditional advertisements
where sync licenses are mandatory. For instance, a beauty influencer’s TikTok
video featuring a popular song in a sponsored makeup tutorial functions akin to
a TV ad. Both pair music with visuals to drive sales, yet influencers often
bypass formal licensing, relying on platforms’ pre-cleared libraries. This
discrepancy denies artists revenue from their work’s commercial exploitation.
Legal Precedents and Licensing Gaps
Sync licences, required when music is paired with visual
media, are legally binding. However, platforms like Instagram and TikTok offer
music under blanket licenses that typically exclude commercial use. Influencers
and brands frequently misinterpret these terms, risking infringement. For
example, legal cases such as APM
Music v. Johnson & Johnson illustrate the mounting scrutiny over
unlicensed music use. Could we potentially see courts soon mandating stricter
compliance, even for user-generated content? For brands, these lawsuits
represent more than just financial losses – they also threaten brand
reputation. A public legal battle over intellectual property can potentially
diminish consumer trust, making it essential for brands and influencers to take
proactive steps to avoid these risks.
Economic Implications for Artists
The global influencer market size is estimated to be worth
a staggering $24 billion as of 2024. Active players in this industry
leverage music to engage audiences, yet artists seldom see compensation.
Established musicians rely on sync fees, while emerging artists lose potential
revenue. Exposure, often cited as adequate compensation, fails to pay bills,
underscoring the need for structural change.
Implementation Challenges: Why South Africa’s
Industry Lags
1.
Awareness Gaps
One of the most critical challenges is the widespread lack
of understanding regarding copyright law among local influencers and
small-to-medium enterprises (SMEs). A common misconception in music usage
around influencer marketing is that because music is in a platform’s Creator
Library, it can be used in an ad or paid partnership post. That is not the
case. Just because a piece of music is in a platform’s Creator Library, it
doesn’t mean it can be used in an ad or paid partnership post.
To bridge this knowledge gap, industry bodies and
collective management organisations should intensify their educational outreach.
By partnering with local media and digital training institutes, they can run
comprehensive awareness campaigns that clarify the distinctions between
personal and commercial music use and outline the potential legal and financial
risks associated with non-compliance.
2.
Enforcement Hurdles
Tracking unlicensed use is nearly impossible at scale.
While SAMRO monitors traditional media, social media remains a blind spot. Tracking
millions of influencer posts globally is daunting. Unlike traditional media,
influencer content is decentralised and ephemeral, complicating enforcement. CMOs
like SAMRO lack resources and the technology to monitor and flag unauthorised commercial
uses of every campaign, risking inconsistent compliance.
3. Economic
Barriers
Unlike major brands, small creators might struggle with
licensing costs. Micro-influencers, who dominate South Africa’s market, can
come out and argue that sync fees are exorbitant. One can argue that this
narrative could stifle creativity, particularly for micro-influencers with
limited budgets.
Solutions to Bridge the Gap
1. Education
and advocacy
Collective management organisations should educate
influencers and brands about licensing requirements, clarifying distinctions
between personal and commercial use. Secondly, social media platforms profit
from influencer content but evade the responsibility of licensing. These platforms
should take on the responsibility of explicitly warning users about
restrictions on licensed music in paid partnerships. Another enforcement opportunity
is directing brands and influencers to affordable sync solutions (preferably a
tiered pricing model with reduced fees for nano-influencers).
2. Innovative
Licensing Models
Inspired by TikTok’s Commercial Music Library, real-time
licensing solutions could be integrated directly into the content creation workflow.
This
would allow creators to secure a sync license with minimal disruption to their
posting schedule.
Second, stakeholders across the industry can collaborate to
negotiate standardised sync fees, similar to streaming royalty models. Such
collective bargaining could lead to the establishment of tiered pricing systems
that ensure fair compensation while remaining accessible for nano-influencers.
3. Technological
Enforcement and Monitoring
While YouTube’s Content ID system polices unauthorised use,
TikTok and Instagram lack equivalent tools for commercial posts. This shortfall
not only perpetuates the gap in fair compensation but also leaves brands
vulnerable to legal repercussions. Emerging AI-driven technologies and digital
tracking systems offer promising avenues for enforcement. Advanced algorithms would
have the ability to flag unlicensed music usage in real time. Such systems
could automatically prompt remedial actions – ranging from retroactive payments
to content takedowns – thus ensuring compliance without compromising the fluid
nature of influencer content.
Ethical Considerations and the Path Forward
The ethical core of this debate revolves around fairness:
brands profit from music while artists are sidelined. According to the
International Federation of the Phonographic Industry’s (IFPI’s) latest Global Music Report, South
Africa remains the largest market in the Sub-Saharan region, accounting for 74.6%
or $82.06 (R1.51 billion) of revenue in 2024, yet systemic inequities persist,
underscoring the need for reform.
The transition toward classifying influencer-branded
content as sync placements is not solely about legal compliance – it is about
rebalancing power in a profit-driven digital economy. Ethical practices must
prioritise the rights of artists, ensuring that they receive fair compensation
for their contributions to the creative ecosystem. This issue mirrors broader
challenges in the digital age, from streaming payouts to disputes over
AI-generated content, and calls for a holistic, multi-stakeholder approach to
reform.
Setting a Global Standard for Ethical Commerce
Classifying influencer-branded content as sync placements
is not just logical but necessary to align with digital media’s commercial
realities. While challenges like scalability and awareness persist, solutions
lie in collaborative innovation – leveraging technology, education, and policy
updates. As the lines between traditional and digital media dissolve, the music
industry must adapt, ensuring artists thrive in the influencer era. Fair
compensation is not merely a legal formality but a moral imperative,
safeguarding creativity in a profit-driven landscape.
The evolution of sync licensing will shape the future of
both music and marketing. By addressing these issues proactively, South African
stakeholders can foster an ecosystem where art and commerce coexist equitably,
honouring the value of music, empowering local artists, and setting a global
standard for ethical commerce.
The rhythm of Mzansi’s music should enrich all stakeholders – not just the pockets of brands and influencers alone.



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